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Video, audio, things from the net, research, project updates, things we like, things we don't like all come through our blog. Written by the Staff of Sound and Music plus guest writers, artists and more.
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Aural Computer Game

Papa Sangre is a new video gama that doesn't use image but sound to immerse the player.

"It’s a first-person thriller, done entirely in audio by an award-winning team of game designers, musicians, sound designers and developers. We’ve created an entire world using the first ever real-time 3D audio engine implemented on a handheld device."

Who'd want to make music on a telephone?

After a couple of things coming up lately on our facebook page related to using apps on phones for music making, I thought I'd look into it in a bit more detail.

Braun Tube Jazz Band

Wada Ei's performance installation uses TV screens as percussion instruments. A Nam Jun Paik-style gamelan. The artists says:

UbuWeb Radio Stream

Wading through all the amazing stuff on UbuWeb oftens seems like insumountable task. Well WFMU are hosting a streaming radio station of content found on UbuWeb. Always makes for good office listening..

UbuWeb Radio

UbuWeb Site

Handmade musical instruments at STEIM Amsterdam

Last Wednesday STEIM (STudio for Electro Instrumental Music) in Amsterdam held an open get-together with a lot of local instrument builders / hackers.

Pink Noise

Yesterday I came across an article entitled 'Audiences hate modern classical music because their brains cannot cope', which I considered blogging on its own just because it was quite amusing that it contained claims that 'Schoenberg and Webern's music doesn't contain patterns'

Clock Watching in Music

I've just finished reading John Maeda's "The Laws of Simplicity" which although not as life changing as the blogosphere claims is still inspirational in its clarity and, well, simpleness.

Women's Audio Archive

The Women's Audio Archive began as a series of recordings, taped by Lewandowska after leaving her home country in 1984, grown out of an interest in language as a site of cultural displacement. These recordings document public events, seminars, talks, conferences, and private conversations as valuable records of a particular time in discourse, beginning around 1983 until 1990.